Another Voice In Frankenstein :: essays research papers

There are many varied interpretations of bloody shame Shelleys Frankenstein in the study of literature. In fact, most critics put one over, if not opposing, somewhat contrasted views on the unexampled. How constantly, a popular perception of the novel seems to be one in which Shelley is utter to be representing her own views through the voice of the monster created by professional Frankenstein. But what exactly are Shelleys views? So many have ca- jackpot apart this novel, analyzing it beyond either bounds, and yet it still mud a puzzle to most, as to what message Shelley tries to give to the reader. Perhaps this troth is the direct result of this over-analysis. What if we are looking too carefully? If we were to take a step back, we should see that Mary Shelleys Frankenstein is nothing more than than the not preposterous story of the average teenager. This isnt to say that the novel is not a work of art, rather, it is quite possibly the best prose ever written by an eighte en year-old. But the fact of the matter remains. Mary Shelley was eighteen going on nineteen when she wrote Frankenstein. Taking this into account, it becomes more patent that Shelley was not commenting on social aspects of her time or the feminist campaign that her mother helped create, rather, she was simply expressing her feelings as a teenager, as so many of us need to do. These feelings of isolation, separation, and being misunderstood, all of which are not uncommon to many teens, are in fact the same as those experience by the monster in Frankenstein. In this way, the monster most likely is a representation of Mary Shelley. well-nigh all of us can relate to a time in our lives when we were young, and misunderstood by our parents. Almost all of us have had an experience where we had done something wrong and during the cognitive process of being berated by our parents, tried to convince them that they were wrong, instead. This point is universal to all teenagers and apparen tly it was to Mary Shelley as well, when we observe the following passageBe calm I entreat you to hear me, before you give show to your hatred on my devoted head. Have I not suffered enough, that you look to increase my misery? Life, although it may only be an accumulation of anguish, is adept to me, and I will defend it.