Im Not Scared Essay

Poverty is the m some other of crime. (Marcus Aurelius) Contrary to the chrome lily-livered of the boundless wheat fields is the darkness of poverty in which the village of Acqua swing is wreathed. Niccolo Ammanity consummately describes the pervasive poverty of the place forgotten by divinity and man through out this enthrall(a)ing fiction Im non sc atomic number 18d. The villagers do not only fall victim to poverty, however also to the subsequent businesss with which they ar afflicted after committing the crime kidnapping a boy of a wealthy family and holding him to ransom.Fears be correspondingly intertwined with the villagers they play a tremendous role in the adults dallyions and motivations and become hotshot of the primary winding themes of this novel. The most palpable timidity of the adults in the novel is the caution of world apprehended and incarcerated as they kick in done such a sordid deed kidnapping a boy. Therefore, extreme poverty and the earnes t to get out of the current life from which the kidnap springs from can be deemed as the roots of the most significant apprehension in Im Not Scared. In 1978 Acqua subdue was so midget that it was practically non-existent. This situatement of Michele, to some extent, depicts the penury which the villagers undergo. Apart from the formidable palace of the Scardaccione family, there are four drab little theater of operationss. The situation of Micheles family is illustrative of the appalling poverty of the hamlet. To exemplify this, his father has to leave the house quite often to catchk employment in the North and that is where he meets Sergio head of the culprits.The villagers have been so disenchanted with their quality of life of Acqua Traverse that they later allow their voraciousness for materials to override their sense of morality and social values. All in all, the most significant fear fear of being brought to conscionableice arises out of the extreme poverty that the villagers are confronting. The degree of fear amongst the villagers varies throughout the novel sometimes fears appear vaguely, sometimes discernibly. Interestingly, the volatility of fear seems to parallel the intensity of the account statement when fear reaches its peak, the novel enthrallingly absorbs the readers in its flow of events.Fears appeared from the first few pages of the novel At Acqua Traverse the grown-ups didnt leave the houses till six in the evening. They shut themselves up deep down with the blinds drawn. This suggests the villagers have already kidnapped Filippo and are striving to remain aloof from the after-school(prenominal) world in the daytime and from justice, that is, they are aware that the deed they just did is morally erroneous. This awareness is metaphorically expressed through the rigors of the drought which the villagers are experiencing. The sun took a guidance your breath, your strength, your desire to play, everything. And it was just unb earable at night. Furthermore, the villagers fear that the poverty of Acqua Traverse has foreclosed the future of their children takes the form of maternal affection. Mama kink up beside me and whispered in my ear, when you grow up you must go away from here and never come back. Even Mama a passive participant in the kidnap realizes the depraved things the adults are conspiring and does not want this trauma to afflict her children.There are some other less significant fears throughout the novel such as pop musics fear towards the old man Sergio, Felices fear of the hysteria of Mama when she spares no effort to cling to Michele, to name exactly a few. Fear reaches its climax when the helicopters comb the hamlet and its periphery for the boy. The villagers acknowledge they are on the verge of being apprehended by the police. The grown-ups stayed at Salvatores house all evening They were shouting so loud that they woke us up. We had grown used to all sorts of things.Nocturnal m eetings, noise, raised voices, broken plates, but now they were shouting too much. Hence, it can be observed that thus far the unceasing fluctuations of their degree, fears are omnipresent in every nook and cranny of Acqua Traverse. Dorothy Thompson once said The most destructive element in the adult male mind is fear. Fear creates aggressiveness. Not only do fears render the villagers of Acqua Traverse more belligerent and inhumane, they also divest the villagers of their ability to think and act in a rational demeanor as an ordinary individual normally does. Papa made the scissors sign with his fingers. Two ears well curl off. Two. Papa who al shipway treats his children with paternal affection and tenderness now turns out to be a vicious man ready to do price to a child when the deal is not reached. The readers no longer see Papa saying Dont you kiss me, youre all dirty. If you want to kiss your father, youve got to wash first. A ruthless bugbear that comes out and takes the children away and sells them to gypsies appears in lieu (although at the end of the novel Papa somehow strives to redeem the physiological trauma he has caused to Michele). maybe Michele hopes that all these things are merely in a moment of optical aberration unfortunately, after falling victim to poverty and its subsequent fears as mentioned above, the villagers have drastically turned into different people from whom they used to be. By way of contrast, Micheles ways to overcome fears and to perceive surrounding things are manifestly rather constructive and far from naive. As the story intensifies, Micheles fears are heightened and his innocence simultaneously irretrievably crumbles away nonetheless, he succeeds in transaction with these fears more precociously and rationally, unlike the adults.To recapitulate, fear serves as one of the primary themes of the novel Im not Scared it originates in the motivation that the villagers of Acqua Traverse are going through and its de gree varies throughout the story paralleling the intensity of the plot. Fears are also employed by Niccolo Ammanity to delineate the villagers state of mind and to bear stark contrast to the protagonist of the novel, Michele. The dubiously routine life at Acqua Travers is none but a veneer at night that veneer breaks and reveals a world of criminals, of inconceivably horrendous deeds, of ruptures of relationships and faiths and of inhumanity.And brave out in that world, fears Residual vestiges of affection and homage evaporates when evil gleam => loyalty irrevocably and irreparably crumbles away => Michele opts for Filippo, for his sense of morality and justice in lieu of his father. Micheles loyalty to his family manifests itself in a variety of ways sister (take charge of his sister hand in hand. We went home), submissiveness towards his mom, irately protect his mom when she is assaulted by Felice. His loyalty initially coerced him into unceasingly seeking edible grounds for his parents not involving in the kidnap of Filippo. => his brother